Everything in excess

This ad reminds me of many poor PowerPoint slides I see. It sure grabs the attention, but that's probably also the only thing it does.
Let people communicate like never before, let's try to achieve that in 2010 but in a more positive way. A happy new year to you all.

A bigger picture on Ads of the World.

Five presentation images your audience will not understand

It is important that your audience "gets" the image on a slide immediately, otherwise they will be staring at it, thinking about it, trying to solve the puzzle, in short everything but return their attention to you as the speaker.
Some reasons why an image that makes perfect sense to you in your office might not work for a big audience:

  1. The clue is in the small print (as in the image used in this post). Put a big marker to draw the attention to the sentence that matters
  2. Incredibly busy compositions, Times Square in New York, a screen shot of a video game
  3. Cartoons with a lot of text. Things get worse when a small cartoon image is scaled up, leaving a poor picture quality. Give your audience time to read it, and may black out the screen to focus attention back on you
  4. (Too) interesting people: an image of the red carpet during Oscar night might make people wander off and examine those beautiful dresses rather than listen to your story about Business Process Redesign
  5. Clever graphics such as an Escher drawing. "Hey, how did he do that?"

Avoid slide elements with negative connotations

I really like red as a bright contrasting color to put comments or circles on busy slides. Until a meeting with people in the Finance Department of one of my big corporate clients. "Can you please take the red off, in our (financial) language red equals bad news".
Three things to avoid in slide design:
  1. Bright red highlights in fonts, especially when talking about numbers
  2. Arrows pointing down (if you want to visualize something positive), why not redesign the slide and have them point up?
  3. Lines, sequences, or page elements that force the eye to go from top left to bottom right. The milestone graphic in this earlier post is a good example.

As always, these are not rules to be set in stone, it is just another piece of slide design context that you should be aware of.

The most expensive printing paper does not always look the best

Printers will always try to sell you the heaviest paper with the glossiest finish. If you are not printing the new corporate brochure or annual report, but need to make nice books of your PowerPoint presentation, I would go for a more modest choice of paper. It looks a lot better and costs a lot less.

Image via airgap

The best wishes for 2010

I would like to wish all readers happy holidays and a healthy and prosperous 2010. From a presentation perspective, try to make a difference in 2010, for example:
  • If you are working in an organization with a conservative approach to presentations, try to find an opportunity to demonstrate a different way to get your message across, spreading the ideas we talk about here to more people.
  • If you are a professional presentation designer consider donating some of your time to a really important cause and design the best possible presentation for it.
Since Tel Aviv is bright, warm, and sunny today, and probably the only Xmas tree in the city is put up in my apartment, I actually enjoy watching some of these old masters that have been put too many times on post cards:

Pieter Breugel the Elder, 1565, Hunters in the snow, Oil on wood, 117x162cm, Kunsthistorisches Museum, Vienna

A presentation review

You can learn a lot from regularly checking out the SlideShare front page. Here is a presentation that caught my eye. What I like about it:
  • A consistent theme of the images throughout the presentation: (mostly) black and white, retro images of workplace scenes
  • Original typography
  • A very simple list structure, counting down from 14 to 1
Some items that I like less:
  • Inconsistent use of colors (probably done on purpose though)
  • The grunge font and use of colors make the text sometimes hard to read over the image background
  • Putting text in vertical boxes, it looks cute but is hard to read
  • The transition from the presentation content to the "contact me" last page, the beautiful presentation falls back into a more common PowerPoint format including bullet points

PPT hack - custom chart templates

The standard PowerPoint templates do not look very good. The standard slide layout invites people to write presentations through endless lists of bullet points. But even more time-consuming to change are the standard templates for data charts.
This earlier post with a make-over of a column chart in a presentation by Skype shows some of the pain a presentation designer has to go through over and over again to create decent data charts. It took me around 17 years to discover the option to create your own templates. Let's save you this time, right now.
If you click a chart in PowerPoint 2007, you can find the "save as template" button in the "design" ribbon of the chart. (Confusingly, two "design" ribbons pop up when you have a chart open, one for the chart, one for the slide). Give your template a name and PowerPoint 2007 will save it in the appropriate directory (with a ".CRTX" extension, but you do not need to worry about that).
The next time you select "insert chart", a folder appears at the top of the standard PowerPoint options, open it to create a data chart using your own customer templates.

The color orange - since 1512

While reading Chris Brogan's latest book Trust Agents, I came across this interesting factoid: until only very recently there was no word for the color "orange" in Western European languages. Chris claims that it is the main reason why we talk about "red heads" or "goldfish".

Research on Wikipedia provides more background:
The colour is named after the orange fruit, introduced to Europe via the Sanskrit word nāranja. Before this was introduced to the English-speaking world, the colour was referred to (in Old English) as geoluhread, which translates into Modern English as yellow-red. The first recorded use of orange as a colour name in English was in 1512, in the court of King Henry VIII.

Chart concept - the zipper

This ad by CNN reminds me of a chart concept that I use often to uncover things: the zipper. It can easily be replicated in PowerPoint using two approaches:
  • Select a stock image and remove the background color if necessary. An example here, or here, or this nice bag full of cash that you will return to your investors in 4 years.
  • If you are in an artistic mood you can actually recreate the zipper using basic PowerPoint rectangles, maybe using straight lines instead of curved ones.

Logos on PPT slides / logos on corporate gifts

It's the time of the year for corporate gifts. Many of these could be really nice, where it not for that huge corporate logo that makes you shelve a beautiful pencil instead of using it. A waste. If your gift is nice, you do not need to remind people that it was you who gave it to you, they will remember.
Most corporate PowerPoint templates waste a lot of screen real estate on elaborate graphics to make sure that the audience does not forget who the employer of the presenter is. This is not only a waste of space, but these graphics also disturb the overall balance of the slide. A far better way to reinforce your corporate identity is to use the corporate colors consistently through your presentation. No need for logos.
So far, a consistent message. But what if the presentation is poor, and people walk in and out of the conference room, check email, make a phone call or get a much-needed coffee? In that case, you might need a reminder of who is speaking when you re-enter the room. Maybe template designers just anticipate this situation...

Don't underline

Don't underline, ever. It does not look good. There are other ways to emphasize a word. Make it bold, change the word's color. Love these tiny blog posts.

Book review - Confessions of a public speaker

There are many books on public speaking, which probably makes sense: people who are good at speaking on stage usually also enjoy spreading their ideas in print. Many of these follow the same pattern: the experienced speaker explains to us (inexperienced novices who "hum", read out bullets from the screen, and avoid eye contact with the audience) how we can improve our stage performance.

Confessions of a Public Speaker is different. Scott Berkun is a public speaker, he does it for a living. What makes this book so interesting is that he discusses his own mistakes, failures, and stage fright. He puts into practice one of his techniques to gain credibility with your audience: tell the truth and be honest.



Here are some of the examples of the interesting experience and advice that are discussed in the book. Yes, taken out of their context and in random order:
  • Why it is not useful to imagine your audience naked
  • Even if (you think) you fail miserably on stage, the audience probably won't notice
  • You have the mike, you are in control, do something nice for the audience (ask to change the freezing temperature of the A/C)
  • Don't talk endlessly about yourself and your resume
  • I love the chapter about "eating the microphone". When you start a presentation you have all the attention, the audience really wants you to do well, If things go bad, you will hit a point that you lose the audience, nobody is paying attention anymore. You ate the microphone.
  • It pays of to learn how to write better headlines/presentation titles
  • Anticipate the obvious question that any intelligent audience member would ask.
  • The concept of interference (taken from physics): the audience is still digesting one point when you bring on the next. As a result, both points are lost.
The most important thing we learn from the personal experiences and mistakes of Scott is to practice, practice, practice. Never try to wing a presentation.
Disclosure: O'Reilly mailed me a free copy of this book for review. I earn a small commission on products you buy on Amazon via links on this site.

As promised my solution to the NYT infographic

Here is my suggested solution to yesterday's puzzle: improving the NYT's infographic that explains how a value-added tax works. Let me know what you think and/or whether you have alternative suggestions. You can click on the image for a larger picture.

What matters now

Seth Godin is the master of spreading ideas, he just published a new ebook:
  1. He convinced more than 70 authors to write a page
  2. Got the collective work to look decent in a PDF
  3. Orchestrated dozens of blogs to discuss it
  4. (Encouraged bloggers like me to push it further in a second wave)
You can download it here, or see it on Scribd below. As you click through it, try to think about why you stopped on certain pages, while skipping others. A good lesson for designing presentations for online audiences. What do you think of page 78 by Dan Roam?

Puzzle for tomorrow: improving an NYT infographic

If you see it for the first time, value added tax is a bit tricky to explain. The NYT (equals the Herald Tribune) gave it a go in the infographic below. I am trying to do a better job and will post it in tomorrow's blog post. I am actually not that happy with my result so far.
This is a heads up: give it a try yourself and we can compare notes tomorrow.

I had to modify the image on the NYT web site slightly and added the right column with totals that appeared in print, but was omitted in the online version of the graphic.

Creating depth of field on your slides

This ad on Ads of the World reminded me what a difference the angle at which an image is taken can make.The chocolate figures were repeated an almost infinite amount of time and stacked behind the front row. But to create the illusion of depth and infinity, the figures in the back stick just a tiny bit over the heads of the ones in the front row.

Think of this when picking your next image, especially roads or other concepts that need to show a long journey towards somewhere. The best images are those where the photographer was almost flat on the ground. Hopefully the photographer of this image (orangeacid on Flickr), managed to get up before the next train came by.

If you are interested: photographers refer to this effect as depth of field. If you look carefully at the image of the rail road, you see that the focus is narrow: the immediate front of the image is blurred, then follows a narrow strip of pin-sharp railroad beams, after which the rest of the image is blurred again.
Related: extreme use of depth of field to make images look like miniature toy scenes: tilt-shifting

Here is a new way to look at 3D typography

This ad uses 3D typography in a way that is obvious, but only after you have seen it. The letters are positioned and sized in such a way that it creates a sense of depth, semi-transparent fills add to the effect. Very well done. It works best for short words that have lots of "open" characters in it, for example "goods". Via Ads of the World.

Picking the right portrait images

Images of celebrities are like corporate logos: recognizable from a long distance. When selecting images for your presentation, think of the following:
  • Re-size and crop the images in such a way that all of them have roughly the same scale, and that the eye line more or less lines up
  • Choose active pictures: people pointing, making a gesture
  • Have people look towards the center of the page
  • Harmonize the background (light or dark)
  • Harmonize the color, make them black and white if necessary
I stuck to most of these suggestions (not all) in the example slide below:

Chart concept - a variation on the Venn diagram

Venn diagrams are great to show overlapping features. In practice however, it can be hard to position text in the circular shapes. I often use an adjusted version of the Venn diagram, one based on boxes. Boxes are easier to draw, and especially, you can make the center box (the most important one) really large.
As you can see below, I did not rely on semi-transparent colors to create the overlap effect. Rather, I just drew the third box in, giving me complete flexibility to decide on colors. Again something that would be hard to do in a circle Venn diagram.

Testing a new introduction presentation

I am working on a new introduction presentation that should explain potential clients a little bit about my background, but most of all, convince them that an investment in a professionally designed presentation is worth their while.
I would welcome your thoughts, especially on the idea of using the part of the full width of the 16:9 format for an image subtitle.

Finding font inspiration in Bauhaus architecture

More presentation design and art today. I had a very clear policy on the use of fonts and typography:
Until now. I just finished a presentation:
  • Set in ALLCAPS
  • Using the Futura Bk font
  • 90% of the slides are set in bold (yes, ALLCAPS bold)
The Futura font family is to blame. The history of the font go back to the 1930s and its design is heavily influenced by the Bauhaus movement. Clean geometrical shapes, look at these o's, almost perfectly round.
Maybe being located in Tel Aviv, a city that has one of the world's most extensive collection of Bauhaus architecture, had something to do with it. The picture below is an example of a Bauhaus-style building in Tel Aviv, the "Bait ha'Onia" or "Ship house" on 56 Levandah Street, designed by architect Arieh Cohen and built in 1934-1935. To make the side track complete, if you are interested in Tel Aviv Bauhaus architecture, make sure to get your hands on this book (text both in French and in English).
Back to presentation design. In particular I like two font variations of Futura. The Light version (Futura Lt) for thin, elegant, sentences in sentence case, and the Book version (Futura Bk) for all caps. The allcaps look especially impressive in fat bold (look at the font in the image). Obviously, some of my old font design principles still hold. Allcaps bold fonts should only be used in presentation that contain a few words per slide.
The Futura fonts came standard with my Microsoft Windows XP Professional and/or Microsoft Office.

McKinsey flashback: logic, rhetoric, and presentations

Recent tweets by Nancy Duarte about her reading up on classic rhetoric and a clean-out of my book shelf with old McKinsey training material triggered this post. How can we use the ancient rules of logic and rhetoric in our presentations? Some of my observations.
Logic is necessary but not enough to convince. The perfect logical argument often fails to make people believe your message with their heart. There are still many people that smoke despite this:
  1. Smoking causes cancer
  2. Cancer kills
  3. People do not like to die
  4. Therefore: stop smoking.
The Greek philosopher Aristotle was well aware of this. Logic and rhetoric are often confused to be the same thing. Actually, logic (logos) is one of three components of rhetoric. The other two 2 are ethos (credibility of the speaker) and pathos (emotional appeal to the audience).
Why is logic so popular among McKinsey consultants? A number of reasons:
  • Lack of time. There is an often overlooked difference between a problem solving structure and a solution presentation structure. Logic is a great tool to solve a problem: cut your issue up in pieces, find facts and other evidence to solve sub-problems, and finally build up the overall solution again from the component solutions. Management consultants often stop there and do not invest time to translate the problem solving structure into a compelling and convincing story to communicate the solution. It is not that they don't want to, at 2AM before the final review meeting there is often simply no time left.
  • Like-minded people. Management consultants usually are very logic-driven people. It is logical work, that attracts logical people, who hire more logical minds. So, the language between management consultants among themselves is highly logical. Some people however have a totally different brain structure (clients of management consultants included).
  • Collaboration. A logical language and structuring technique is very well suited for people that need to work together but have never met each other before. Once you have learned the methodology, you can put a team of consultants from different countries together that can produce results almost immediately.
There a number of logical concepts that any presenter should use, regardless of the audience, regardless of the structure you want to use for your story.
  • MECE, consultant speak for no gaps and no overlaps. Say things once/do not repeat yourself/keep things short. Group points that are related together, together.
  • The number 3. Most people can easily remember 3 points, I like breaking up a story in 3 key messages for people to remember.
  • Levels of logic. Separate the key points of your story and the sub points that support the key points. Build a tree-like structure for your argument.
And an important one: in what order to present your story? Most stories can be crafted using 3 components: the situation, the complication, and the resolution. The order in which you chose to present them sets the tone of your story:
  • Solution - situation - complication, this is what consultants use most of the time, a no-nonsense approach. If you do not have time to read the whole story, you get the answer in the first paragraph/on the first slide. Functional, but boring.
  • Situation - complication - resolution, the most natural one to present a case, starting relaxed, adding stress but then calm things down again at the end.
  • Complication - situation - resolution, a flow of arguments that creates a sense of urgency.
Now, where do we need that classical rhetorical argument? There are two types of logical arguments, and I am making the Case (with a capital C) that you do not need the second one very often:
  • Inductive: you take a number of specific examples and draw a generic conclusion from it. This is the form of logic I use most in my presentations. A simple summary of tangible (i.e., not abstract) examples is a good way to get ideas across.
  • Deductive: you present a series of true statements, the combination of which produce a very specific conclusion. This is the pure logic used by mathematicians. (All men are mortal, Socrates is a man, therefore Socrates is mortal). This one is harder to use in presentations. It is abstract and requires a logical audience. The only times I had to use it in my 17 years as a strategy consultant was in cases with a highly controversial and counter-intuitive recommendation. This is not a situation of a presentation in front of big audience, but rather a one-on-one meeting with an executive, taking him step by step through your analysis: "Do you agree with this?" "Yes." "Do you agree with that?" "Yes." "Then you must agree with this!" "Huh, wait a minute, again."
To make a long story short. Use logic to develop the solution, but then take a step back and think how you can communicate that solution best. Communication and problem solving is not the same thing.
If you are interested in McKinsey-style story line development you could read The Minto Pyramid Principle: Logic in Writing, Thinking, & Problem Solving
P.S. Speaking about deductive logic, the name of my company is Axiom One. An Axiom is a basic assertion that you assume to be true (it is so basic that you cannot prove it), this basic fact can then be used to construct more complex logical arguments)
Disclosure: if you purchase a product on Amazon through links on this site, I earn a small commission.

Harmonizing images using Photoshop filters

A presentation should have a consistent look and feel on each slide. When you are using just text and PowerPoint shapes, this is no problem: just use consistent fonts and colors. Images complicate things because they usually come from different sources and - as a result - have different styles:
  • Colors
  • "Real" images versus studio shots
  • "Real" images versus computer-generated renderings
  • "Real" images versus "real" art versus stock image art
  • Vintage versus modern images
  • Portraits, landscapes, objects
Have a look at well-designed books with many images: the images are different but somehow fit together. You as a presentation designer can do a number of obvious things to harmonize image styles:
  • Actively pick an image style when you start out designing a presentation (or - like me - adjust the image style as you go through the design process, replacing images as you go)
  • Minimize the number of image sources
  • Use less images
  • Take out the color of all images, and just use black & white, or apply a color overlay
Recently I discovered another solution: applying consistent PhotoShop filters throughout your presentation. A slightly brutal way to harmonize images, but the result can be a presentation with a unique look and feel. The image below has been subjected to a "poster edge" filter, creating a pop-art style of presentation if you apply it consistently to every image in your presentation.
Image via iStockPhoto

Chart concept - confusion

A client needed to visualize the regulatory uncertainty in his industry after the financial crisis. This traffic light tree in London is a very useful art installation that you can use in many other confusing situations. The high rises of large financial services firms in the back help complete the picture (my client works in that industry).
The Internet is full of images of the sculpture. Try searching Flickr for images with a Creative Commons license.

Getting your idea across in 1:35

Sometimes, a live presentation can be a pretty inefficient way to get a message across. For example, TED presentations are usually really good, but they still need around 20 minutes of your time. Have a look at the new fund raising video of the Acumen Fund that was released yesterday. It lasts 1:35.
In this 1:35 the video manages to explain a completely revolutionary concept to charity. It is not about giving food, it is not about giving the tools to grow food, but it is all about investing in profitable businesses that produce goods/services, create wealth and can grow by themselves.
The video does not need long speaker introductions, does not use spectacular motion graphics, does not rely on "look how miserable these people are" images. Just a number of upbeat people talking straight in the camera at you. It is hard to do this in 1:35 on stage with PowerPoint slides.
Sign up for the recently established social network of the Acumen Fund to learn more about the dramatically different approach the organization is using to combat poverty.

Sometimes a simple table is best

I have been thinking hard about how to incorporate negative numbers in stacked column and bar charts. The example below shows that it is possible. However, it might be the exception of the rule that graphs are usually better at presenting data than tables.
  • The chart takes a bit of time to figure out. "It's about cost, so income is negative". "Ah, the negative offset of the chart is revenues".
  • The chart goes against common practice of accountants and other financial professionals to look at annual financial data in tables.
What do you think?